print conservation,
paper conservator, paper conservation,currier and ives, print restoration,
paper restoration, 01060, northampton, western mass

 
Currier
& Ives – “Mr. August Belmont's Potomac & Masher”
– lithograph, 1891
To reduce overall discoloration and matburn, this large folio C&I
was deacidified and then bleached, using both chemical bleaching
and aqueous light bleaching. |


John DeMartelly - “While
the Sun Shines” - lithograph, 1943
Due to severe toning and strong mat burn, this print was deacidified,
chemically bleached, resized, and given an alkaline reserve. |
 

Hiroshi Yoshida - Morning
on Tsurugisan - 1926 (later edition)
This print had considerable and disfiguring overall foxing. It
was deacidified and then bleached using an artifical light bank. |
 
Currier & Ives –
“American Homestead Summer” – lithograph, 1868
To reduce light discoloration, this print was deacidified and
aqueous sun bleached. The losses were filled with inserts of matching
paper and the tears mended with Japanese paper and wheat starch
paste. |


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